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Traditional biniou music from Brittany played by MM. Le Guennec et Le Bouc. Recorded by Edward Fowler and Douglas Larter. Gramophone record n° 237702. Matrixn° 2L-BFR 294. [1] Tradycyjna bretońska muzyka taneczna na dudach (binioù kozh). Македонски: Народен танц со гајда од Бретања, снимен во 1927 г.

Català: Espais de Llum Musical 2 violins, 2 trompes i baix continu Arxiu Musical de la Cateral de València Obra de Francesc Morera i Cots (Sant Mateu, 4 d'abril de 1731 - València, 17 d'octubre de 1793), compositor valencià del barroc. Va ocupar la plaça de mestre de capella de la Catedral de València.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor III. Allegro assai (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Johann Sebastian Bach's Violin Concerto No. 1 in A minor II. Andante (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

The then-dual national anthems of South Africa performed at the White House in 1994.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor I. Allegro moderato (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Hörbeispiel einfacher Vorhalt in C-Dur

Midi of movement 3 of Ludwig van Beethoven's Piano Concerto No. 5 in E flat major

Ejemplo secuencia midi.

A simple Midi son clave

This is an improvised boogie-woogie blues chord progression, with both hands playing the rhythm, and another hand playing the unusual chords.

William Byrd. The battell from My Ladye Nevells booke of virginall musicke.

partition

Fort Harrison March

court extrait de The Harlem Rag de Tom Turpin.

Excerpt from hymn tune "Rustington". Created by Hyacinth (talk) 22:45, 2 February 2012 (UTC) using Sibelius 5.

composition for two eagle recorders and saxophone

William Byrd. The marche before the battell from My Ladye Nevells booke of virginall musicke.

chi tak school song

Rock - Sixteenth Subdivision - As MIDI.

from Serbian Wikipedia

Music from last page of book

Disco version of the former USSR national anthem

Ringtone

Beispiel für eine MIDI-Sequenz Example of a MIDI sequence Ejemplo de secuencia midi

William Byrd. The galliarde for the victorie from My Ladye Nevells booke of virginall musicke.

Background Music of Raquia and Arqua.

Midi of movement 2 of Ludwig van Beethoven's Piano Concerto No. 5 in E flat major

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

Claude Debussy's Pélleas et Mélisande prelude measures 5-6. Created by Hyacinth (talk) 02:18, 30 November 2011 (UTC) using Sibelius 5.

Bass Ostinato vom Doors-Song Riders on the Storm

Content: A MIDI arrangement of the Moorsoldaten song.

Title/Work: Messiah (Handel) Content: No.06: Air: But who may abide (Conclusion) Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

Title/Work: Messiah (Handel) Content: No.04: Chorus: And the Glory of the Lord Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 12 July 1946

Title/Work: Messiah (Handel) Content: No.07: Chorus: And He Shall Purify Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

ไทย: คำร้อง : เผดิมศักดิ์ ปอศรี ทำนอง : เผดิมศักดิ์ ปอศรี

ไทย: คำร้อง : คณะประธานนักเรียนโรงเรียนสาธิตมหาวิทยาลัยราชภัฏนครปฐม ทำนอง : คณะประธานนักเรียนโรงเรียนสาธิตมหาวิทยาลัยราชภัฏนครปฐม

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert